You can configure the app to provide shortcuts to two or three of your most used services which could include Dropbox and Instagram in addition to the more usual suspects. 4K Video Capture Unleash 4K … The FZ80 / FZ82 records 1080p at up to 28Mbit/s in MP4 mode. The LUMIX FZ80 long zoom camera is an "All-Rounder" that everyone can enjoy. The LUMIX DC VARIO lens features a super bright F2.8-5.9 aperture range that is optically stabilized with Panasonic's Power O.I.S. There are two options for transferring images; Batch transfer provides a menu from which you can select options to transfer the current day’s images, or you can include the last 3, 7 or 30 days, or if you’re feeling impetuous you can opt to transfer everything. Assuming the figure is given for 1600 ISO, it’s fair to assume that the FZ70 / FZ72’s flash does in fact deliver around twice as much power as the other two models. Like the Lumix FZ80 / FZ82, the Nikon COOLPIX B700 also supports 4K video at 25 and 30fps as well as 1080p HD modes, and, as I’ve mentioned it has a couple of slow motion modes, but not at HD resolution. Lumix G9 Burst Modes – Everything you need to know. Unlike the Lumix FZ330 / FZ300 and other higher-end Lumix bridge models, the FZ80 / FZ82 doesn’t offer Cinelike D and V profiles (for later grading) and also lacks the option that allows you to turn off the info display to allow the output of a ‘clean’ signal via the HDMI port. This is designed for shooting subjects like children and pets that move in an unpredictable manner. You can’t change the drive mode remotely, that has to be done using the dial on the camera, however once you’ve set a drive mode it is then possible to alter, say, the continuous shooting speed, or self-timer delay. The red-eye modes fire a pre-flash to narrow the subject’s pupils and there’s also software correction available from the Rec menu. The Canon PowerShot SX60 HS has a focal ratio of f3.4-6.5 and for the Nikon COOLPIX B700 its f3.3-6.5. If you want to slow down the action even more there’s also a 200fps option for 1/8 speed playback at VGA resolution. The Lumix FZ80 / FZ82 has a maximum aperture of f2.8, closing to f5.9 at the telephoto end of the zoom range. About the symbols in … The control layout on the rear is little changed from the earlier model. Panasonic LUMIX FZ80 18.1MP Point and Shoot Zoom Camera with 64GB SD Card Bundle I didn’t really notice the drop in resolution, so the improvement in stability makes it well worth switching to the 60fps mode, for moving subjects, just be aware it will consume more power. Announced in January 2017, it’s the successor to the two-and-a-half-year-old Lumix FZ70 / FZ72. There are three full resolution burst speeds available – High, Middle, and Low speed at 2fps, 6fps and 10fps respectively. The 4K Photo mode is great for capturing the perfect moment when faced with fast action, but it’s also surprisingly useful for portraits, especially of kids, where an expression can change between frames. And, unlike with 6K Video mode, you can shoot raw files in these burst … The Electronic viewfinder is also upgraded with a new 0.2 inch, 1.17 million dot panel. Now you can use the high resolution power of 4K video technology to create printable photos with 4K PHOTO's blistering 30 frames per second burst feature. Panasonic Lumix FZ80 / FZ82 Monitor and EVF. Its viewfinder is clear even in bright sunlight. All the modes I’ve talked about so far are encoded in MP4 format, switch to AVCHD mode and you get the same 1080/50p mode as the MP4 format, encoded at 28Mbit/s plus two further 1080 / 50i interlaced modes – one encoded at 24Mbit/s from 25p sensor output and a 17Mbit/s mode from 50p sensor output. Birds in Flight Settings for Lumix Cameras. This technology decreases the focusing time. To test the Lumix FZ80 / FZ82’s continuous shooting I fitted it with a freshly formatted Lexar UHS-II card and set it to the best quality 18 Megapixel Fine JPEG resolution and the 10fps High speed burst mode. Only by putting the subject about an inch from the lens can you really get any blurred-background separation. If you’re a little uneven, or the subject makes it difficult to record overlapping images it will stop part way through and produce a panorama from what it has managed to capture – or you can press the shutter a second time to finish at a particular point. Sign In. The Lumix FZ80 / FZ82 retains the 60x optical zoom introduced on the previous FZ70 / FZ72. That said, neither of those two models features a touch-sensitive screen and if I had to choose between the two features I think I’d choose touch-sensitivity over articulation every time. There’s three options: Burst (which records video while the shutter button is pressed), Burst S / S (which starts recording with one press and stops with another), and 4K Pre-burst (which keeps a one-second rolling buffer to avoid unwieldy clips to store and go through). The FZ70 / FZ72 added a new one – Old Days, a variation on Retro, less warm and with a slight magenta cast, making fifteen in all. The Lumix FZ80 / FZ82’s continuous shooting features are accessed by pressing the drive mode button on the bottom of the four-way controller. You could of course frame grab from video externally, but Panasonic has made it easy to perform the whole process in-camera; see later in the review for more details. The FZ80 / FZ82 also includes the Panoramic Shooting mode introduced way back on the FZ200. Check prices at Amazon, B&H, Adorama, or Wex. The Canon PowerShot SX60 HS lacks 4K capability – its best quality movie mode is 1080 / 60p. In the PASM exposure modes the flash can be fired automatically when the conditions require it, or forced on; there are also Auto/Red-eye and Slow Sync/Red-eye modes. That’s a pretty impressive performance (and about half a metre longer than the FZ70 / FZ72), generally the built-in flash units on bridge cameras aren’t that powerful and are only intended for use with reasonably close subjects or for fill-in. Using the app you can remotely view the composition and refocus the camera if necessary, before then setting the sensitivity of the jump detection. There are smaller compact super-zooms but at this price point you’ll have to compromise on the zoom range, or pay more, or both. Don’t forget that both the PowerShot SX60 HS and the the COOLPIX B700 have longer telephotos so at 1200mm they’re likely to be close to the f5.9 of the Lumix FZ80 / FZ82. Full Range 60X Long Zoom From 20mm wide-angle for breathtaking landscapes to an amazing 60X zoom to capture far off moments, the FZ80’s lens brings it all together. In RAW mode I got a burst of 14 shots, again slightly quicker than the quoted 10fps before things stalled and slowed down considerably. Now you can use the high resolution power of 4K video technology to create printable photos with 4K photo’s blistering 30 frames per second burst feature. The clever part is Panasonic equips its 4k Photo cameras with software that lets you easily capture bursts of video before scrolling through the footage and extracting the perfect frame as a JPEG image, all in-camera. This rendered the viewfinder almost unusable, but I’m assuming it was a fault with my review sample as it’s not something I’ve ever experienced on other Panasonic models. If you set continuous AF the High speed burst rate drops to 6fps – which is the same as the Middle speed. New is 4k UHD video at 25 or 30fps along with Panasonic’s 4k Photo mode – a fun way of exploiting the fact 4k video captures an 8 Megapixel image up to 30 times a second. 1mm isn’t going to make a great deal of difference, but if you like to shoot dramatic wide-angle landscapes, street scenes and interiors the Lumix FZ80 / FZ82 will give you an edge over the COOLPIX B700. Thanks! On the right side of the Lumix screen there’s a small panel of touch icons which when tapped slides out to reveal more touch controls. Reset lumix dc-fz80 back to factory settings - Answered by a verified Camera and Video Technician We use cookies to give you the best possible experience on our website. So in this part of my review I’ll briefly cover the ‘conventional’ burst shooting features before going on to look at the 4K photo modes. • Click a cross reference in the text to jump to the corresponding page. The Q Menu button also doubles up as programmable function button f3. Below that is a focus mode selector button and below that a playback button. As an Amazon Associate I earn from qualifying purchases. As well as that, the touch screen makes it a breeze to change camera settings and make menu selections. Like its predecessor, the FZ80 is an entry-level model that sits below the FZ300. Share. The autofocus system on the Panasonic LUMIX DC-FZ80 works extremely fast with an impressive 1cm minimum focus distance when AF Macro mode is set and 1.5m at 1200mm. The 4K video mode captures up to 4X the resolution of standard Full HD. Finished panoramas are a maximum of 7680 x 2560 pixels. Both cameras have 1/2.3 inch sensors but Canon PowerShot SX740 HS has a 20.3 MP and Panasonic Lumix DC-FZ80 has a 18.1 MP resolution. There are three full resolution burst speeds available – High, Middle, and Low speed at 2fps, 6fps and 10fps respectively. The only mode that allows for an uninterrupted burst of images (that is, until your memory card gets full) is the 2 frames per second option. The quality is great and the stabilisation at the maximum 1200mm focal length is impressive. With the DMW-LT55 converter attached the FZ80 / FZ82’s maximum telephoto range is extended to a whopping 2,040mm which will essentially fill the frame with the Moon. That’s unusually bright for a 60x optical zoom in this price bracket. As you’d expect, the FZ80 / FZ82 has Wifi support that allows you to wirelessly transfer images from the camera and operate it remotely using a smartphone. The Lumix FZ80 / FZ82’s continuous shooting features are accessed by pressing the drive mode button on the bottom of the four-way controller. You can drag the AF area to position it just as you would on the camera screen. One feature that remains is the awesome LEICA The new Lumix FZ80 / FZ82 shares the same optical range as its predecessor, taking you from an unusually wide 20mm equivalent to a super-telephoto 1200mm, allowing you to grab expansive landscapes or tight interiors at one moment and close-ups of distant wildlife or the Moon at the other. Panasonic Lumix FZ80 / FZ82 coverage, wide and tele, Above left: at 3.58mm (20mm equivalent), above right: at 215mm (1200mm equivalent). Providing you keep on turning and keep the camera reasonably level the FZ80 / FZ82 will record a complete 360 view. The FZ80 / FZ82 also has a High Speed video feature that shoots 1080p at 100fps for playback at 1/4 speed. Burst shooting is also up from 9 to 10fps, or 6fps with continuous autofocus. While the exterior looks very similar to its predecessor, the FZ80 has received some appealing upgrades, which we'll cover below. So at the wide angle setting the Lumix FZ80 / FZ82 is around half a stop brighter which means, all other things being equal, you can shoot with a faster shutter speed or a lower sensitivity setting. Panasonic Lumix … To maintain a responsive experience which feels like the images are stored locally on your phone or tablet, the camera sends a lower resolution version. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Charging the battery in the camera over USB opens up a whole new world of charging options including laptops, car chargers, battery boosters, in fact anywhere you can find an external USB power source and means you don’t have to take the mains charger with you on trips. Above: Download the original file (Registered members of Vimeo only). For this low light interior panning shot the Lumix FZ80 / FZ82 copes very well with the changing lightlng and, considering the issues I had with noise on still images, it looks relatively clean. LUMIX DC-FZ80 digital camera pdf manual download. Panasonic Lumix FZ80 / FZ82 Continuous Shooting. Of course the LCD screen isn’t the only, or possibly even the best way to compose shots on the Lumix FZ80 / FZ82. Lumix FZ82 has a high-speed and high-precision autofocus with DFD defocus technology to get better depth. It also of course benefits from Panasonic’s 4K Photo modes which effectively provide 30fps continuous shooting at 8 megapixel resolution as well as other innovative features. This results in a lower resolution display at double the refresh rate which produces a much more stable image, particularly when either the subject, the camera, or both are moving. technology. Above left: 100% crop, 3.58-215mm at 215mm 80 ISO 1/30th O.I.S off. This makes it very easy to jog back and forth before selecting the perfect moment, after which a press of the Menu / Set button saves the frame as a new JPEG with 8 Megapixel resolution. It doesn’t have an NFC chip, that’s not a huge drawback though, as you can quickly establish a connection manually. May not be used without permission. With a 35mm equivalent range of 20-1200mm this is an extremely versatile lens that has you covered in pretty much any situation, from large group shots and tiny interiors to sports and wildlife photography with everything in between from portraits and weddings to macro photography (at its wide angle setting the FZ80 / FZ82 can focus as close as 1cm). You can also add a monochrome to colour fade in our out effect, as well as a simple exposure fade. Canon’s PowerShot SX60 HS manages 6.4fps at full 16 Megapixel resolution and, although it offers a raft of low resolution high speed burst modes, the best full resolution 20 Megapixel continuous shooting mode on the Nikon COOLPIX B700 is 5fps. The FZ80 / FZ82 no longer provides 200MB of built-in memory like its predecessor, but I don’t imagine too many people will mourn the loss. Thanks to the touch-control system, users can quickly focus right on the subject and even release the shutter with touch operation to capture fleeting photo opportunities. This uses the accelerometer in your phone to trigger the shutter remotely as you jump in the air. The FZ80 / FZ82’s EVF provides a reasonably detailed and stable image when neither the camera nor the subject are moving but things get a little jittery when panning or following moving subjects. If you want to browse the images on the card in the camera before deciding which to transfer, then Transfer selection is the option to go for. More importantly, it can shoot much longer bursts than the 3-frame limit of the Lumix FZ70 / FZ72. I must admit I don’t recall the older FZ70 / FZ72 being all that sluggish, at least in bright conditions, but the FZ80 / FZ82 is very quick and sure of itself. When you see an image you like, just tap it and the Lumix Image app will let you save the original to your device or start uploading it to one of the social, sharing or storage services installed on your device. But it had some serious shortcomings in the bells and whistles department. That said, you’ll have to make these adjustments using the physical control buttons on the camera – on the FZ80 / FZ82 it can be done silently using the touch-screen. On the FZ80 / FZ82 you can shoot in PASM exposure modes, selected either from the video menu or by tapping the exposure mode icon in the top left of the screen when the mode dial is in the movie position. The one change here is the addition of drive modes, which previously had a dedicated button on the top panel, to the four way controller. 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